Gresham-Williams Law (2011)
.
Tags: 303 Gallery, Al-Maqrizi, Andy Kaufman, Aristophanes, Art, Art Basel, Art Criticism, Art History, Art Instruction, Art-O-Rama, artfair, Artforum, ARTRISSIMA, ASU Herberger Institute for Design and the Arts, Avant- Garde, Banksy Punked, Baron Osuna, Beavis and Butthead, Bosoms and Bottoms, Bruce Nauman, Carl Andre, Chiara Guidi, Chris Burden, Coagula Art Magazine, Contemporary Art, Dada, Dale Eldred, Dave Hickey, Dave Hollowell, di Rosa Art Museum, Dia Art Foundation, Domaine Les Crayères, Eli Broad, Emmy Hennings, Father Guido Sarducci, Filippo Manzini, Fluxus, For Sale By Artist, Frieze Art Fair, Funk Art, Gagosian Gallery, Gardner's Art Through The Ages, Geometrie Variable, Gloria Maria Cappelletti, Gloria Maria Gallery, Gresham's Law, Henry Dunning Macleod, House Where The Bottom Fell Out, Hunter S. Thompson, International Art Exhibition of the Venice Biennale, Java Magazine, John Arthur Jack Johnson, John Belushi, LG Williams, lgofbeverlyhills, Lisa Spellman, Literary Criticism, Los Angeles Art, Los Angeles I'm Yours, Mahabharata, Mara McCarthy, Michele Chiossi, MOMA, Mousse Contemporary Art Magazine, Museum of Modern Art, Nicolaus Copernicus, Nicole Oresme, Night Gallery, Obey Punked, Paul McCarthy, PCP Press, Poetry, Radiohead, Richard Grossman, Sir Thomas Gresham, Super Window Project, Tana Bookshelf Gallery, Telephonebooth Gallery, The Big Lebowski, The Container, The Container Tokyo, Theory of Art, Thomas Paine, UACAWSACCADB.com, Ubu Web, Venice Biennale, Venice Biennial, Wally Hedrick, Whitechapel Gallery, Whitney Museum, www.lgwilliams.com, Yves Klein
Comments Off on Gresham-Williams Law (2011) | Read the rest of this entry »
Comments Off on Gresham-Williams Law (2011) | Read the rest of this entry »
