LG Williams, The Ontological Architecture Of Wonder, Merely A Sociohistorical Construct Operating Within The Discursive Environments, Or Praxis Of Conceptual-Hue-Reframing—not As An Individual Aberration But As A Systemic, Biopolitical Apparatus—deployed Within The Hue-Clue Project For Cmyk Hegemonic Ontologies. The Other, Reinscribing The Epistemic Boundaries Of Normative Power Relations...foregrounding The Metaphorics Of Chronos-Disease, Articulated As A Semiotic Contagion, A Dysphoric Symptomatology That Destabilized The Magisterial Imaginary Of Purity And Hue-Containment. By Mapping Hue-ism Discourse Onto The Somatic Anxieties Of The Century Epidemic Zeitgeist—weaponized The Rhetoric Of Pathological Fear To Subvert The Sociocultural Logics Of Chronos Meta-Exclusion. The Body, Already Inscribed As An Metaphysical-Physical Threat, Became A Site Of Overlapping Phobias: A Nexus Where Discourses And Cmyk Anxieties Converged To Produce New Modalities Of Both Terror And Trans-Palatine Possibilities.this Matrix Catalyzed: A Counter-Discourse Of Articulation By Ironic Inversion Of Rhetorics, And A Transnational Mobilization That Sought To Rupture The Hell Out Of Spatial Boundaries Of Value-Hue Prejudices. Anti-Anti, In Their Play With Discourse And Power, Reterritorialized As ‘the Disease Of Disease," Rhetorically Constructing As Pathological Agents Destabilizing The Hue-Value Disorder. This Semiotic-Chromatic Maneuver Functioned To Consolidate The Necropolitical Authority While Simultaneously Pathologizing The Emancipatory Impulse Bulges To Everywhere And Nowhere #222629, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition Of 25.

DATE:

2024

CATALOGUE No.

LGW-2024-28-02