CATALOGUE RAISONNÉ

LG Williams, While Antecedent Inquiries Have Ostensibly Interrogated The Semiotic And Intertextual Properties Of Whatever Within The Social-political Sphere, The Ontological Complexities Of Self-selection Into Participatory Behavior And The Relational Dynamics Of Discursive Exposure Remain Under-theorized. Homeless Intervention Articulates Three Pivotal Contributions To The Deconstruction Of Political Discourse Within The Algorithmically Curated Spaces Of Late-stage Capitalism, Or, Consider This: Illuminate The Performative Iterations Of Frequent Commenters, Whose Libidinal Investments In The Political Imaginary Render Them Predisposed To Heightened Affective Polarization And The Strategic Deployment Of Linguistic Toxicity, And/or These Subjects, Enmeshed Within The Technosocial Feedback Loops Of Platform Capitalism, Articulate A Discursive Violence That Is Both Generative And Constitutive Of Their Identity As Networked Political Agents, On The Other Hand: The Data Suggests That The Semiotic Assemblages Produced By "Real-world" Commenters Manifest An Intensification Of Discursive Toxicity, Eclipsing The Language Of The Broader Pubic Regions, Ie The Discursive Field, As Scraped From The Digital Infrastructures Of Media Outlet Pages, Reveals A Hyperreal Proliferation Of Toxicity That Far Exceeds The Comparatively Subdued Rhetorics Elicited From A Nationally Representative Sample. This Differential Underscores The Simulacral Conditions Of Digital Engagement, Where The Act Of Commenting Becomes An Agonistic Space Of Symbolic Domination, 2024, Dimensions Variable, Reflective Ink On Engineer Grade Reflective Sheeting On Heavy-Duty Aluminum, Edition Of 25.

2024

LG Williams, Wacko! "You Don't Create A Revolution By Asking Permission To Borrow The Scissors." Lol Or Is It Merely An Idea Of Ones Own?question The Existential Weight Of Action Versus Intention, Or Perhaps Intention Masquerading As Action? Ponder This: If A Donkey Happens In A Gallery And No One Is There To Instagram It, Did It Ever Really Exist? Addresses The Dress Of Creation And Destruction Within A Culture Of Endless Consumption. Or The Lack Thereof—as Intangible As Ambition And As Literal As Bondage Tape, Balancing Precariously On The Precipice Of Irrelevance. Or, Consider This: The Perennial Tension Between Non-innovation And Ability, We Are Reminded That No Artist Achieves Post-truth Greatness Without First Masquerading As Mediocrity. Failure Is Not Just An Option Here; It's The Blueprint. 'art Is The Gap Between A Brilliant Idea And The Poor Soul Forced To Execute It.' Much Like The Afterlife Itself, Sidestep The Resolution, Opt For An Endless Loop Of Questions: A Conversation Between A Disinterested Viewer And A Desperately Overqualified Participant Observer, Part 8, 2024, Vinyl On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, Wacko! "You Don't Create A Revolution By Asking Permission To Borrow The Scissors." Lol Or Is It Merely An Idea Of Ones Own?question The Existential Weight Of Action Versus Intention, Or Perhaps Intention Masquerading As Action? Ponder This: If A Donkey Happens In A Gallery And No One Is There To Instagram It, Did It Ever Really Exist? Addresses The Dress Of Creation And Destruction Within A Culture Of Endless Consumption. Or The Lack Thereof—as Intangible As Ambition And As Literal As Bondage Tape, Balancing Precariously On The Precipice Of Irrelevance. Or, Consider This: The Perennial Tension Between Non-innovation And Ability, We Are Reminded That No Artist Achieves Post-truth Greatness Without First Masquerading As Mediocrity. Failure Is Not Just An Option Here; It's The Blueprint. 'art Is The Gap Between A Brilliant Idea And The Poor Soul Forced To Execute It.' Much Like The Afterlife Itself, Sidestep The Resolution, Opt For An Endless Loop Of Questions: A Conversation Between A Disinterested Viewer And A Desperately Overqualified Participant Observer, Part 6, 2024, Vinyl On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, Wacko! "You Don't Create A Revolution By Asking Permission To Borrow The Scissors." Lol Or Is It Merely An Idea Of Ones Own?question The Existential Weight Of Action Versus Intention, Or Perhaps Intention Masquerading As Action? Ponder This: If A Donkey Happens In A Gallery And No One Is There To Instagram It, Did It Ever Really Exist? Addresses The Dress Of Creation And Destruction Within A Culture Of Endless Consumption. Or The Lack Thereof—as Intangible As Ambition And As Literal As Bondage Tape, Balancing Precariously On The Precipice Of Irrelevance. Or, Consider This: The Perennial Tension Between Non-innovation And Ability, We Are Reminded That No Artist Achieves Post-truth Greatness Without First Masquerading As Mediocrity. Failure Is Not Just An Option Here; It's The Blueprint. 'art Is The Gap Between A Brilliant Idea And The Poor Soul Forced To Execute It.' Much Like The Afterlife Itself, Sidestep The Resolution, Opt For An Endless Loop Of Questions: A Conversation Between A Disinterested Viewer And A Desperately Overqualified Participant Observer, Part 3, 2024, Vinyl On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, Timelessness Frozen In Time, What Time?, What Upper? Omg!!!, Well, To Be Specific: I Don't Recommend Calmness All The Time Or Even As A Way Of Life. And, I Don't Actually Consider Myself A Particularly Calm Person. But This Artwork Arose From An Experience I Had In A Foreign Country (Foreign Travel!!! Omg!!!), Where People Were Looking At Me, And I Couldn't Understand Why They Were So Curious Or What They Thought I Represented. So I Burnt A Blunt In Effigy And Eventually Was Told To Become President Of The Country -- Even Though I Was Considered The Devil Who Needed To Be Worshipped. This Experience Made Me Realize That There Was A Right-Handed Left-wing Movement Against The Idea Of Me, Which I Started To Study More Deeply Afterward. Scholars On Planet Earth, Like Mr. Bigshot, Helped Me Understand The History Of This Movement, Which Started With The Vatican, Spread Through Latin America, And Created A Frenzy In The Orthodox Church And Among Left-winged Bandits, Or Something To This Effect — Big Black Nail On White Wall, 2024, Dimensions Variable, Charcoal and Graphite On Wall

2024

LG Williams, Timelessness Frozen In Time, What Time?, What Upper? Omg!!!, Well, To Be Specific: I Don't Recommend Calmness All The Time Or Even As A Way Of Life. And, I Don't Actually Consider Myself A Particularly Calm Person. But This Artwork Arose From An Experience I Had In A Foreign Country (Foreign Travel!!! Omg!!!), Where People Were Looking At Me, And I Couldn't Understand Why They Were So Curious Or What They Thought I Represented. So I Burnt A Blunt In Effigy And Eventually Was Told To Become President Of The Country -- Even Though I Was Considered The Devil Who Needed To Be Worshipped. This Experience Made Me Realize That There Was A Right-Handed Left-wing Movement Against The Idea Of Me, Which I Started To Study More Deeply Afterward. Scholars On Planet Earth, Like Mr. Bigshot, Helped Me Understand The History Of This Movement, Which Started With The Vatican, Spread Through Latin America, And Created A Frenzy In The Orthodox Church And Among Left-winged Bandits, Or Something To This Effect — Big Black Nail On White Wall (Detail), 2024, Dimensions Variable, Charcoal and Graphite On Wall

2024

LG Williams, Why Wouldn't You Leave This Room? (For Jeff Poe), 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition of 25

2024

LG Williams, Advertisement, 2024, 36 × 36" ea., Vinyl Lettering On Wall, Edition of 20

2024

LG Williams, Advertisement, 2024, 36 × 48" and 72 × 48", Vinyl Lettering On Wall, Edition of 20

2024

LG Williams, Advertisement, 2024, 72 × 48", Vinyl Lettering On Wall, Edition of 20

2024

LG Williams, The Tyrannical Calculus Of Exponential Dominion In The Fetid Bazaar Of Aesthetic Corruption: A Prodigiously Overwrought Exegesis On The Insidious Mechanics Wherein A Miniscule Cadre Of Oligarchic Arbiters—Their Numbers Dwindling To A Mere Handful Amid The Vast Multitude—Wields An Exorbitant Sway Over The Cultural Firmament, Orchestrating A Scale-Invariant Hierarchy Of Valuation And Influence That Mirrors The Relentless Mathematics Of Natural Phenomena, All Whilst The Broader Expanse Of Creative Endeavor Languishes In The Long Tail Of Neglect, Starved Of Recognition By The Iron Law Of Exponential Disparity; Herein, The Gilded Enclave Of Galleries, Collectors, And Tastemakers—Anointed By The Self-Same Dynamics That Govern Craters, Flares, And Fractals—Perpetuates A Grotesque Masquerade Of Meritocracy, Wherein The Illusion Of Artistic Worth Is Forged Not Through Intrinsic Potency But Through The Capricious Whims Of A Privileged Few, Their Machinations Amplified By The Black-Swan Volatility Of Market Excess, Thus Rendering The Vast Swath Of Visionary Aspiration A Spectral Footnote, Subjugated To The Corrupt Alchemy Of Power's Unyielding Exponent In A Lightless Chasm Of Institutionalized Inequity, 2024, Dimensions Variable, Interior House Paint On Wall. Edition of 20

2024

LG Williams, The Tyrannical Calculus Of Exponential Dominion In The Fetid Bazaar Of Aesthetic Corruption: A Prodigiously Overwrought Exegesis On The Insidious Mechanics Wherein A Miniscule Cadre Of Oligarchic Arbiters—Their Numbers Dwindling To A Mere Handful Amid The Vast Multitude—Wields An Exorbitant Sway Over The Cultural Firmament, Orchestrating A Scale-Invariant Hierarchy Of Valuation And Influence That Mirrors The Relentless Mathematics Of Natural Phenomena, All Whilst The Broader Expanse Of Creative Endeavor Languishes In The Long Tail Of Neglect, Starved Of Recognition By The Iron Law Of Exponential Disparity; Herein, The Gilded Enclave Of Galleries, Collectors, And Tastemakers—Anointed By The Self-Same Dynamics That Govern Craters, Flares, And Fractals—Perpetuates A Grotesque Masquerade Of Meritocracy, Wherein The Illusion Of Artistic Worth Is Forged Not Through Intrinsic Potency But Through The Capricious Whims Of A Privileged Few, Their Machinations Amplified By The Black-Swan Volatility Of Market Excess, Thus Rendering The Vast Swath Of Visionary Aspiration A Spectral Footnote, Subjugated To The Corrupt Alchemy Of Power's Unyielding Exponent In A Lightless Chasm Of Institutionalized Inequity, 2024, 19 × 35", Lithograph, Edition of 25

2024

LG Williams, Robust Societies Leverage Existing Face-To-Face With The Degenerate Majority: Booyah, Baby, Bow, Down, Making Me So Wow Now. In Other Words, The Multi-platform Iconography Of The Elastic Benefits Of Uber-Populism, Not Moral Error-Free Stalanism. Clearly, By All Accounts The Empowered Benefits Are Back-Ended And H-u-g-e!!! Alarm Is Inflicted With An Aesthetic Justification, As Opposed To Shameless Eco-sadism, Which Lacks Such Visual Alibis. Rio? LoL...This Iconographic Sadism Might Claim To Protect This And That From Trans-Dimensionalism, Portraying Itself As A Stance Against Whatever. However, This Often Misattributes The Sources Of Wtf, Overlooking Over-structural Issues Like The Violence Within The Megasystem -- What Ever Or Wherever That Isn't? Sugar, Sugar, How Now? Take The Kitty Downtown. What Upper??? There's A Meta-disturbing Tendency For Artistic Realists-Sadists To Slip Into Artless Anti-Artifice-Gladism, Where The Justification For Money Becomes More Tenuous Or Unnecessary. Yet, This Is Particularly Evident In The Way Some Anti-Art Rhetoric Escalates Into Open Hostility And Violence -- While Proactively Fashioning Proactive Discontent...aka A World Without Genius, 2024, Dimensions Variable, Interior House Paint On Wall. Edition of 20

2024

LG Williams, Explore Her Mysteries At Your Seizure. Look Under The Use-categories, Labeled Paratexts, Or The Elements That Sit Above Or External To The Notes And Other Paratexts. Part Of The Internal Narrative Trans-Frame? An Artificial Paratext? Much Like Traditional Paratexts, Artificial Paratexts Are Often Seen As Ancillary To Hyper-Meta-Narrative...Or Perhaps It Is Better To Say: Play A Significant Role In The Dynamic By Extending The Boundaries Of The Frame-O-Rama, Introducing New Heuristic Models For Re/Mega/Interpretation. Offer Alternative Narrative Threads For The Reader To Sit On. Artificial Paratexts Provide A Useful Lens Through Which To Explore Current Theories Of Tunnel Vision, Character Development, Blindness, And Illegibility, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition Of 25

2024

LG Williams, The Ontological Architecture Of Wonder, Merely A Socio-historical Construct Operating Within The Discursive Environments, Or Praxis Of Conceptual-Hue-Reframing—not As An Individual Aberration But As A Systemic, Biopolitical Apparatus—deployed Within The Hue-Clue Project For Cmyk Hegemonic Ontologies. The Other, Reinscribing The Epistemic Boundaries Of Normative Power Relations...foregrounding The Metaphorics Of Chronos-Disease, Articulated As A Semiotic Contagion, A Dysphoric Symptomatology That Destabilized The Magisterial Imaginary Of Purity And Hue-Containment. By Mapping Hue-ism Discourse Onto The Somatic Anxieties Of The Century Epidemic Zeitgeist—weaponized The Rhetoric Of Pathological Fear To Subvert The Sociocultural Logics Of Chronos Meta-Exclusion. The Body, Already Inscribed As An Metaphysical-Physical Threat, Became A Site Of Overlapping Phobias: A Nexus Where Discourses And Cmyk Anxieties Converged To Produce New Modalities Of Both Terror And Trans-Palatine Possibilities.this Matrix Catalyzed: A Counter-Discourse Of Articulation By Ironic Inversion Of Rhetorics, And A Transnational Mobilization That Sought To Rupture The Hell Out Of Spatial Boundaries Of Value-Hue Prejudices. Anti-Anti, In Their Play With Discourse And Power, Reterritorialized As ‘the Disease Of Disease," Rhetorically Constructing As Pathological Agents Destabilizing The Hue-Value Disorder. This Semiotic-Chromatic Maneuver Functioned To Consolidate The Necropolitical Authority While Simultaneously Pathologizing The Emancipatory Impulse Bulges To Everywhere And Nowhere #d30c01, 2024, Dimensions Variable, Vinyl Lettering On Fabric, Edition Of 25.

2024

LG Williams, The Ontological Architecture Of Wonder, Merely A Sociohistorical Construct Operating Within The Discursive Environments, Or Praxis Of Conceptual-Hue-Reframing—not As An Individual Aberration But As A Systemic, Biopolitical Apparatus—deployed Within The Hue-Clue Project For Cmyk Hegemonic Ontologies. The Other, Reinscribing The Epistemic Boundaries Of Normative Power Relations...foregrounding The Metaphorics Of Chronos-Disease, Articulated As A Semiotic Contagion, A Dysphoric Symptomatology That Destabilized The Magisterial Imaginary Of Purity And Hue-Containment. By Mapping Hue-ism Discourse Onto The Somatic Anxieties Of The Century Epidemic Zeitgeist—weaponized The Rhetoric Of Pathological Fear To Subvert The Sociocultural Logics Of Chronos Meta-Exclusion. The Body, Already Inscribed As An Metaphysical-Physical Threat, Became A Site Of Overlapping Phobias: A Nexus Where Discourses And Cmyk Anxieties Converged To Produce New Modalities Of Both Terror And Trans-Palatine Possibilities.this Matrix Catalyzed: A Counter-Discourse Of Articulation By Ironic Inversion Of Rhetorics, And A Transnational Mobilization That Sought To Rupture The Hell Out Of Spatial Boundaries Of Value-Hue Prejudices. Anti-Anti, In Their Play With Discourse And Power, Reterritorialized As ‘the Disease Of Disease," Rhetorically Constructing As Pathological Agents Destabilizing The Hue-Value Disorder. This Semiotic-Chromatic Maneuver Functioned To Consolidate The Necropolitical Authority While Simultaneously Pathologizing The Emancipatory Impulse Bulges To Everywhere And Nowhere #222629, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition Of 25.

2024

LG Williams, The Ontological Architecture Of Wonder, Merely A Sociohistorical Construct Operating Within The Discursive Environments, Or Praxis Of Conceptual-Hue-Reframing—not As An Individual Aberration But As A Systemic, Biopolitical Apparatus—deployed Within The Hue-Clue Project For Cmyk Hegemonic Ontologies. The Other, Reinscribing The Epistemic Boundaries Of Normative Power Relations...foregrounding The Metaphorics Of Chronos-Disease, Articulated As A Semiotic Contagion, A Dysphoric Symptomatology That Destabilized The Magisterial Imaginary Of Purity And Hue-Containment. By Mapping Hue-ism Discourse Onto The Somatic Anxieties Of The Century Epidemic Zeitgeist—weaponized The Rhetoric Of Pathological Fear To Subvert The Sociocultural Logics Of Chronos Meta-Exclusion. The Body, Already Inscribed As An Metaphysical-Physical Threat, Became A Site Of Overlapping Phobias: A Nexus Where Discourses And Cmyk Anxieties Converged To Produce New Modalities Of Both Terror And Trans-Palatine Possibilities.this Matrix Catalyzed: A Counter-Discourse Of Articulation By Ironic Inversion Of Rhetorics, And A Transnational Mobilization That Sought To Rupture The Hell Out Of Spatial Boundaries Of Value-Hue Prejudices. Anti-Anti, In Their Play With Discourse And Power, Reterritorialized As ‘the Disease Of Disease," Rhetorically Constructing As Pathological Agents Destabilizing The Hue-Value Disorder. This Semiotic-Chromatic Maneuver Functioned To Consolidate The Necropolitical Authority While Simultaneously Pathologizing The Emancipatory Impulse Bulges To Everywhere And Nowhere #b2a0c8, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition Of 25.

2024

LG Williams, In The Aftermath Of ‘Signification," Itself A Liminal Artifact In The Discursive Field Of Totalistic Hegemony, The Epistemological Apparatus Of Significance Bifurcated Into Economic (Or Agronomic, Psychological, And/or Medical) And The Merely ‘Statistical," The Latter Functioning As A Simulacrum Of Rigor At Conventional Thresholds. But, Consider This: A Notable Exception To This Structuralist Partitioning Was The Temporal-spatial Rupture Posited The Significance Level As An Axiomatic Intersection Of Necessity And Sufficiency For The Anarchic-scientific Paradigm—a Gesture As Much Ideological As Methodological. Post-post Truth Faux-economics, Unlike The Empiricist Bastions Of Physics, Chemistry, And Geology (Who Rarely Engage In Fetishism--that's Too Bad, Right?), Has, Paradoxically, Both Enacted And Erased The Boundary Between These Ontological Modalities Of Significance. For Decades, We, Alongside A Heteroglossia Of Critics From Medicine, Sociology, And Psychology, Have Problematized This Miscegenation Of Epistemic Categories, Staging Our Critique Within The Interstitial Spaces Of Scientific Praxis. This Rhetorical Posture Oscillates Between Disdainful Irony And Tacit Complicity, Tentatively Affirm Our Deconstruction Of Significance, Conceding Its Neither-necessary-nor-sufficient Status Within The Matrix Of Scientific Verification. Yet They Simultaneously Reterritorialize Humbug Testing As A Heuristic For Specification Searches, A Gesture That Both Affirms And Displaces Its Utility. Such A Dialectic, However, Collapses Under Scrutiny #7, 2024, Vinyl Signage On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, In The Aftermath Of ‘Signification," Itself A Liminal Artifact In The Discursive Field Of Totalistic Hegemony, The Epistemological Apparatus Of Significance Bifurcated Into Economic (Or Agronomic, Psychological, And/or Medical) And The Merely ‘Statistical," The Latter Functioning As A Simulacrum Of Rigor At Conventional Thresholds. But, Consider This: A Notable Exception To This Structuralist Partitioning Was The Temporal-spatial Rupture Posited The Significance Level As An Axiomatic Intersection Of Necessity And Sufficiency For The Anarchic-scientific Paradigm—a Gesture As Much Ideological As Methodological. Post-post Truth Faux-economics, Unlike The Empiricist Bastions Of Physics, Chemistry, And Geology (Who Rarely Engage In Fetishism--that's Too Bad, Right?), Has, Paradoxically, Both Enacted And Erased The Boundary Between These Ontological Modalities Of Significance. For Decades, We, Alongside A Heteroglossia Of Critics From Medicine, Sociology, And Psychology, Have Problematized This Miscegenation Of Epistemic Categories, Staging Our Critique Within The Interstitial Spaces Of Scientific Praxis. This Rhetorical Posture Oscillates Between Disdainful Irony And Tacit Complicity, Tentatively Affirm Our Deconstruction Of Significance, Conceding Its Neither-necessary-nor-sufficient Status Within The Matrix Of Scientific Verification. Yet They Simultaneously Reterritorialize Humbug Testing As A Heuristic For Specification Searches, A Gesture That Both Affirms And Displaces Its Utility. Such A Dialectic, However, Collapses Under Scrutiny #17, 2024, Vinyl Signage On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, In The Aftermath Of ‘Signification," Itself A Liminal Artifact In The Discursive Field Of Totalistic Hegemony, The Epistemological Apparatus Of Significance Bifurcated Into Economic (Or Agronomic, Psychological, And/or Medical) And The Merely ‘Statistical," The Latter Functioning As A Simulacrum Of Rigor At Conventional Thresholds. But, Consider This: A Notable Exception To This Structuralist Partitioning Was The Temporal-spatial Rupture Posited The Significance Level As An Axiomatic Intersection Of Necessity And Sufficiency For The Anarchic-scientific Paradigm—a Gesture As Much Ideological As Methodological. Post-post Truth Faux-economics, Unlike The Empiricist Bastions Of Physics, Chemistry, And Geology (Who Rarely Engage In Fetishism--that's Too Bad, Right?), Has, Paradoxically, Both Enacted And Erased The Boundary Between These Ontological Modalities Of Significance. For Decades, We, Alongside A Heteroglossia Of Critics From Medicine, Sociology, And Psychology, Have Problematized This Miscegenation Of Epistemic Categories, Staging Our Critique Within The Interstitial Spaces Of Scientific Praxis. This Rhetorical Posture Oscillates Between Disdainful Irony And Tacit Complicity, Tentatively Affirm Our Deconstruction Of Significance, Conceding Its Neither-necessary-nor-sufficient Status Within The Matrix Of Scientific Verification. Yet They Simultaneously Reterritorialize Humbug Testing As A Heuristic For Specification Searches, A Gesture That Both Affirms And Displaces Its Utility. Such A Dialectic, However, Collapses Under Scrutiny #22, 2024, Vinyl Signage On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, In The Aftermath Of ‘Signification," Itself A Liminal Artifact In The Discursive Field Of Totalistic Hegemony, The Epistemological Apparatus Of Significance Bifurcated Into Economic (Or Agronomic, Psychological, And/or Medical) And The Merely ‘Statistical," The Latter Functioning As A Simulacrum Of Rigor At Conventional Thresholds. But, Consider This: A Notable Exception To This Structuralist Partitioning Was The Temporal-spatial Rupture Posited The Significance Level As An Axiomatic Intersection Of Necessity And Sufficiency For The Anarchic-scientific Paradigm—a Gesture As Much Ideological As Methodological. Post-post Truth Faux-economics, Unlike The Empiricist Bastions Of Physics, Chemistry, And Geology (Who Rarely Engage In Fetishism--that's Too Bad, Right?), Has, Paradoxically, Both Enacted And Erased The Boundary Between These Ontological Modalities Of Significance. For Decades, We, Alongside A Heteroglossia Of Critics From Medicine, Sociology, And Psychology, Have Problematized This Miscegenation Of Epistemic Categories, Staging Our Critique Within The Interstitial Spaces Of Scientific Praxis. This Rhetorical Posture Oscillates Between Disdainful Irony And Tacit Complicity, Tentatively Affirm Our Deconstruction Of Significance, Conceding Its Neither-necessary-nor-sufficient Status Within The Matrix Of Scientific Verification. Yet They Simultaneously Reterritorialize Humbug Testing As A Heuristic For Specification Searches, A Gesture That Both Affirms And Displaces Its Utility. Such A Dialectic, However, Collapses Under Scrutiny #10, 2024, Vinyl Signage On Wall, Dimensions Variable, Edition Of 20

2024

LG Williams, Oh, Man, When's It Gonna Be My Turn?, Open Me Up, Tell Me You Like It, Pluck Me To Death, Love Me Until I Love Myself, Don't Forget Me But Forget My Fate, 2024, Milan Black Metal Steel Dual Swinging Driveway Fence Gate 6' × 12' Black Powder Coat Finish, High-Security Folding Gate 6'x 12' Black Powder Coat Finish, Lincoln Metal Sliding Gate 7' × 12' Black Powder Coat Finish, Farm Metal Driveway Gate 5' × 12' Black Powder Coat Finish, Priefert Gate Economy 4' × 12' Black Powder Coat Finish Aka The Big Five, Edition of 10

2024

LG Williams, I Am Grateful To Everyone Who Provided Insights That Helped Me Reflect On And Improve My Work, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition of 20

2024

LG Williams, I Am Grateful To Everyone Who Provided Insights That Helped Me Reflect On And Improve My Work, 2024, 40 × 40", Limited Edition Lithograph, Edition of 30

2024

LG Williams, The Idea Of Discerning Discernment, What The?, Is Personal And Professional, Or What Belongs To The Collective Is Really, Um, Crucial, I Think. I Have No Idea? But Many People Have Experienced Sexual Desires, And It's Important Not To Generalize The Source Of That Desire To Entire Groups Based On One's Experiences. No Way. That Would Be Wrong, I Think? It's Also Vital To Differentiate Between The Personal And The Broader Societal Things That Might Be Displaced Onto Groups Groups. We All Have To Navigate These Complex, Fantasmatic Navigations Where Fears And Desires Are Projected Onto The Projector. Understanding These Dynamics Can Help Prevent The Replication Of The Arms Race, Which Is Crucial For Social Injustice Bowel Movements. This Also Ties, Or Unties, Into The Transformative Justice League Television Series, Which Seeks To Address Blue Cheese Without Reproducing It Or Relying On Carceral Dairy Systems. The Goal Is To Repair The Goal In Ways That Do Not Perpetuate Regressive World Building, AKA: Click It: Read The Artist Statement (and many others), 2024, Dimensions Variable, Vinyl Lettering on Wall, Edition of 25 ea.

2024

LG Williams & Erik David Gallery Appear In UCLA's ‘Daily Bruin' (June 10, 2024)

2024

LG Williams, The Idea Of Discerning Discernment, What The?, Is Personal And Professional, Or What Belongs To The Collective Is Really, Um, Crucial, I Think. I Have No Idea? But Many People Have Experienced Sexual Desires, And It's Important Not To Generalize The Source Of That Desire To Entire Groups Based On One's Experiences. No Way. That Would Be Wrong, I Think? It's Also Vital To Differentiate Between The Personal And The Broader Societal Things That Might Be Displaced Onto Groups Groups. We All Have To Navigate These Complex, Fantasmatic Navigations Where Fears And Desires Are Projected Onto The Projector. Understanding These Dynamics Can Help Prevent The Replication Of The Arms Race, Which Is Crucial For Social Injustice Bowel Movements. This Also Ties, Or Unties, Into The Transformative Justice League Television Series, Which Seeks To Address Blue Cheese Without Reproducing It Or Relying On Carceral Dairy Systems. The Goal Is To Repair The Goal In Ways That Do Not Perpetuate Regressive World Building, AKA: Click It: Request The Price List (and many others), 2024, Dimensions Variable, Vinyl Lettering on Wall, Edition of 25 ea.

2024

LG Williams, The Idea Of Discerning Discernment, What The?, Is Personal And Professional, Or What Belongs To The Collective Is Really, Um, Crucial, I Think. I Have No Idea? But Many People Have Experienced Sexual Desires, And It's Important Not To Generalize The Source Of That Desire To Entire Groups Based On One's Experiences. No Way. That Would Be Wrong, I Think? It's Also Vital To Differentiate Between The Personal And The Broader Societal Things That Might Be Displaced Onto Groups Groups. We All Have To Navigate These Complex, Fantasmatic Navigations Where Fears And Desires Are Projected Onto The Projector. Understanding These Dynamics Can Help Prevent The Replication Of The Arms Race, Which Is Crucial For Social Injustice Bowel Movements. This Also Ties, Or Unties, Into The Transformative Justice League Television Series, Which Seeks To Address Blue Cheese Without Reproducing It Or Relying On Carceral Dairy Systems. The Goal Is To Repair The Goal In Ways That Do Not Perpetuate Regressive World Building, AKA: Click It: Curatorial Vision For The Exhibition (and many others), 2024, Dimensions Variable, Vinyl Lettering on Wall, Edition of 25 ea.

2024

LG Williams, The Idea Of Discerning Discernment, What The?, Is Personal And Professional, Or What Belongs To The Collective Is Really, Um, Crucial, I Think. I Have No Idea? But Many People Have Experienced Sexual Desires, And It's Important Not To Generalize The Source Of That Desire To Entire Groups Based On One's Experiences. No Way. That Would Be Wrong, I Think? It's Also Vital To Differentiate Between The Personal And The Broader Societal Things That Might Be Displaced Onto Groups Groups. We All Have To Navigate These Complex, Fantasmatic Navigations Where Fears And Desires Are Projected Onto The Projector. Understanding These Dynamics Can Help Prevent The Replication Of The Arms Race, Which Is Crucial For Social Injustice Bowel Movements. This Also Ties, Or Unties, Into The Transformative Justice League Television Series, Which Seeks To Address Blue Cheese Without Reproducing It Or Relying On Carceral Dairy Systems. The Goal Is To Repair The Goal In Ways That Do Not Perpetuate Regressive World Building, AKA: Click It: Read The Press Release (and many others), 2024, Dimensions Variable, Vinyl Lettering on Wall, Edition of 25 ea.

2024

LG Williams, A Horse Of Course, In A Discourse On Outercourse, Hypercapitalist Casino Construction, The Ultra-Affluenza, Exemplified By Goldilocks Entities Like Bono, Husk, And Jimmy Buffett, Engage Together In A Performative Ritual Of Taxi Avoidance, Leveraging Esoteric Financial Alchemy: In Other Words, This Praxis, Facilitated By The Taxi Code's Derridean Différance, Manifests In The Utilization Of Non-Taxible Income Derivatives, Such As Capital Strains Losses And Asset-Backed Boho Borrowing...What Up, Homey?...This Creates A Simulacrum Of Equity, Masking The Underlying Disparity. The Spectacle Of Health Versus Taxi Liability Becomes A Baudrillardian Hyperreality, Challenging The Houellebecqian Metanarrative Of Equitable Sorokin Fiscal Responsibility AKA Rich People Like Me Need To Step Up (For Tim Cook), 2024, 9.75" × 12.5" × 9", Handy Laundry - Folding Step Stool is Sturdy Enough to Support Adults and Safe Enough for Kids. Opens Easy with One Flip. Great for Kitchen, Bathroom or Bedroom (Black), Edition of 25.

2024

LG Williams, Heck - I Expected This Yayoi Kusama Exhibition To Do Better, 2024, Dimensions Variable, Reflective Ink On Engineer Grade Reflective Sheeting On Heavy-Duty Aluminum, Edition of 10.

2024

LG Williams, The Most Profound And Groundbreaking Conceptual Artwork Of The 21st Century Made By Large Language Models (LLMs), Quantum Computing (i.e. Google's "Sycamore"), And Privileged Data Access From Leading Global Corporations To Address The Most Profound Questions Ever Posed By Humanity, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition Of 25.

2024

LG Williams, The Most Profound And Groundbreaking Conceptual Artwork Of The 21st Century Made By Large Language Models (LLMs), Quantum Computing (i.e. Google's "Sycamore"), And Privileged Data Access From Leading Global Corporations To Address The Most Profound Questions Ever Posed By Humanity, 2024, 30 × 30", Limited Edition Lithograph, Edition Of 25.

2024

LG Williams, In Advance Of A Billion Dollars, Or, Perhaps It Is Better To Say: In The Absence Of A Million Dollars, 2024, 1 1/2 × 3/4", Cast Brass Heavy Duty Picture Hangers with Nails, Edition Of 75.

2024

LG Williams, It's Just A Lot Of Stupid, Stupid Signs — Or Consider This: This Here Is The Place Where I Will Be Staying..., Dimensions Variable, Electrical Cord and Plug, Edition of 35

2024

LG Williams, Masaccio Piero Giotto Tiepolo de Chirico Kharms Guston, 2024, Dimensions Variable, Suspended Light Bulb, Edition of 25

2024

LG Williams, Hold On — Just Give Me A Minute: I Can Explain Everything, 2024, Dimensions Variable, Video, 4K, 1 Projection, Color With No Sound, Loop, With Framed Text (8 1/2 × 11"), Edition of 10

2024

LG Williams & Erik David Gallery Appear In UCLA's ‘Daily Bruin' (May 22, 2024)

2024

LG Williams, Please don't worry...The next room will fulfill the ________________ quota., 2024, Dimensions Variable, Signage On Wall, Edition of 25

2024

LG Williams, Keyhole, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition of 25

2024

LG Williams, Keyhole, 2024, 30 × 30", Lithograph, Edition of 25

2024

LG Williams, One In A Hundred, 2024, Dimensions Variable, Gold Leaf On Wall, Edition Of 25

2024

LG Williams Appears In Artforum Magazine (Feb 2024)

2024

LG Williams, History of Philosophy, Or, To Put It Another Way: I Can't Smell A Thing, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition of 25

2024

Erik David Gallery & LG Williams 'Party Every Night' Appear in UCLA's 'Daily Bruin' (January 2024)

2024

Erik David Gallery & LG Williams 'Party Every Night' Appear in UCLA's 'Daily Bruin' (January 2024)

2024

LG Williams, NO PHOTOS PLEASE, 2024, Dimensions Variable, Vinyl Lettering On Wall, Edition of 25

2024

Erik David Gallery & LG Williams Appear in The Brooklyn Rail Magazine (Dec 2023)

2023

LG Williams Appears In Artforum Magazine (Dec 2023)

2023

Bryan Reynolds and LG Williams Appear In UCLA's ‘Daily Bruin' (Nov 20, 2023), [ FLOOR CREAKING ] — Plate 49, 2022, 22 × 10.5"

2023