LG Williams, Fountain Grab Bar For The Artistically Disabled (for Buchloh) or We've Reach Out But So Far No Word Back,  2014, 48" Extended Urinal and Power Coated Stainless Steel Urinal Grab Bar

LG Williams and The Estate of LG Williams
Floor-To-Wall Fountain Grab Bar  (not Buchloh) or We’ve Reach Out But So Far No Word Back, or Perhaps It Is Better To Say: You Don’t Want to Be Winging It When Something like This Happens,  2014,
48″ Standing Urinal and Power Coated Stainless Steel Urinal Grab Bar
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LG Williams, Hollywood -- Wall Street, 2014/13, 10 x 30", Vinyl and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum. Private Collections: Sparklesville, Hi & Phoenix, Az
LG Williams and The Estate of LG Williams, 2014/13
Hollywood — Wall Street (Blue on White), 10 x 30″
Reflective Silkscreen and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum
Private Collections: Sparklesville, HI & Phoenix, AZ
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LG Williams, Thank God, 2010, 20 x 30", Vinyl and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum
LG Williams and The Estate of LG Williams
Thank God (Art Basel Miami Beach), 2014/10
20 x 30″, Reflective Silkscreen and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum
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LG Williams Responds To “The Forever Art Professors” by Laurie Fendrich in The Chronicle of Higher Education: Seriously, You Just Did What And Then Quoted Dave Hickey?!

LG Williams Responds To "The Forever Art Professors" by Laurie Fendrich in The Chronicle of Higher Education: Seriously, You Just Did What And Then Quoted Dave Hickey?!

Clearly, news of the #PrixMarcelDuchamp scandal is spreading…

Twitter Prix Marcel DuchampSource: Twitter.com/LePrixMarcelD

American Artist LG Williams Defends Frieze Co-Director And Thanks 13.8 Million Millionaires At The Same Time

Wednesday 15 October 2014

London - The American artist LG Williams has just exhibited a new artwork in conjunction with Frieze Art Fair Co-Founder Matthew Slotover’s, “impassioned defense of millionaires flooding into London this week to buy artworks by established and rising stars of the contemporary art world.” (“Frieze: Co-founder defends ‘Ikea For Millionaires,” by Nick Clark, The Independent, October 12, 2014)

The artwork portrays the artist, who was included in the 2011 Venice Biennial Internet Pavilion, “signing,” or manually communicating, the gesture of “thanks” or “thank you” in American Sign Language. The artist is depicted with his left hand near his lips, and gesturing it forward towards the 13.8 million millionaires across the world.

Imagine Williams blowing a kiss to all the millionaires across the globe, and you have an accurate grasp of the image.

“There are more millionaires in the world right now than ever before. The United States has the most millionaires of any country in the world, and California has the most millionaires of any state in the nation,” said Williams, who regularly can be found at Paradise Cove, just off The Pacific Coast Highway in Malibu, California, shirtless, barefoot, wearing purple-tinted spectacles, a green LG baseball cap and orange Birdwell shorts.

“After reading the Independent’s article featuring Slotover’s heart-felt plea for the international art community to be grateful to all the art-buying millionaires, I instantly had the beautiful idea to make this artwork,” Williams said. “Really, I can’t think of another established artist in California, or anywhere in the world, more in debt to millionaires for their livelihood (in David Graeber’s full sense of the phrase) than me. Therefore, I should be the first American artist in the international art world to stand up and say to every millionaire in the world: “Thank You!”

“This is my gift, my gratitude to you—all the art-collecting millionaires in the world!” Mr. Williams said.

The eponymous artwork, appropriately entitled “Thank you!” will most certainly become a major art crowd-pleaser, and a permanent fixture of the international art fair circuit in the foreseeable future.

It is worth noting that during his prolonged emerging career, Williams has extended many thanks to his audience, colleagues, patrons, benefactors and sheer luck. Among his earlier expressions of gratitude are: Thank You For Coming! (1997), Thank God I’m Not In New York! (2002), Thank God!… (2002, 2010, 2013 and 2014), Calling All Aliens (2009), To My Benefactors and Supporters (2011), and, most recently, Thank You In Advance (2014).

MacArthur Award winning art critic, Dave Hickey, the so-called “pirate of contemporary art criticism,” applauded the new artwork as “really fuckin brilliant!” He continued, “Williams’ artwork strangely and simultaneously evokes all the beauty, sublimity and generosity expressed in Frieze co-director’s recent interview. This is epic visual art free of any jargon.”

“Ya know what I’m saying?”—Hickey concluded. “Hand it to Williams, this gesture will become the iconic image of the Art-Fair Age, the must-have object that will unite in solidarity every millionaire’s art collection with every other millionaire’s art collection in the world”.

The artwork can be viewed and purchased on the artist’s website: www.lgwilliams.com

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Artist Defends Frieze Co-Founder and Thanks 13.8 Millionaires At The Same, Frieze London Installation, October 15–18, 2014

LG Williams and The Estate of LG Williams,
Thank You! (Center),
Frieze London Installation, October 15–18, 2014

LG Williams at Frieze London 2014
October 15–18, 2014

LG Williams, Thank God! or The Dog Is Taking Things Hardest…Crying Every Night, 2014, 40 x 60″, Vinyl and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum

LG Williams at the Frieze London 2014 Art Fair
Thank God! or The Dog Is Taking Things Hardest…Crying Every Night, 2014
40 x 60″, Vinyl and Engineer Grade Reflective Sheeting on Heavy-Duty Aluminum
Photo: Linda Graham/NYTimes.com

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