LG Williams In Conversation…

LG Williams, What Was The Alternative? It Had To Be Done: That Is How The System Works, Or: You’re Like A Child (Performing Songs From Your Upcoming Christmas Album) or, Consider This: My Life As A Duct Taped Cuckoo Clock (For JF), 2010, 14 x 10 in., Duct Tape on Wooden Cuckoo Clock, Limited Edition of 50. Copyright 2010-24 LG Williams and The Estate of LG Williams. All Rights Reserved.

LG Williams, What Was The Alternative? It Had To Be Done: That Is How The System Works, Or: You’re Like A Child (Performing Songs From Your Upcoming Christmas Album) or, Consider This: My Life As A Duct Taped Cuckoo Clock (For JF), 2010, 14 x 10 in., Duct Tape on Wooden Cuckoo Clock, Limited Edition of 50. Copyright © 2010-24 LG Williams and The Estate of LG Williams. All Rights Reserved.
 
 
LG Williams In Conversation…
 
Friday, May 17, 2024, 6:30 – 7:30pm
Table Rock Lake School of the Arts, Table Rock Lake, Mo.
www.lgwilliams.com
 

LG Williams will be in a timely and rare live conversation with 5th-generation AI Arts-Trained Chatbot Hey-Yu Whazup as part of Barry County Township Public Art Fund Talks, a series organized in collaboration with the Table Rock Lake Friends of the Arts. This lecture series connects lesser-known, ultra-marginalized contemporary Los Angeles artists to a broad public living in and around America’s vast but under-recognized Bible Belt region.

During the conversation, the pair will delve into Williams’s ambitious and timely sculpture, Duct Taped Cuckoo (2010). This now iconic sculpture, currently installed in a dedicated unit in a public storage facility near Bel-Voir Acres Airport, in Golden, Missouri, is a testament to Williams’s unique artistic vision. It evokes the negation of art, time, history, and awareness through an intricate, intimate, and intense application of duct tape, preventing an automated cuckoo bird from appearing, moving forward, and bellowing its alarm.

Williams and Whazup will also explore how LG developed, combined, and meta-infused anarcho-iconoclastic artistic practices to represent and reify an uber-aesthetic theory, mega-artistic aesthetics, and faux-research methodology known as Prosperity Aesthetics (PA) — a recent aesthetic conceptualization advanced by many get-rich-quick progressive-minded artists which advocates non-linear, trans-disciplinary experiences with non-art, non-time, non-historical, and non-consciousness practices in The Neo-Feudal stage of the Early Anthropocene.

This Zoom event is free to attend (although donations are appreciated) and reservations are encouraged.

 
# # # # #
.

LG Williams & Erik David Gallery Appear In UCLA’s ‘Daily Bruin’ During Frieze Los Angeles and Felix Art Fair, March 1, 2024

LG Williams Appears In UCLA's 'Daily Bruin' During Frieze Los Angeles and Felix Art Fair (2024)

LG Williams & Erik David Gallery Appear In UCLA's 'Daily Bruin' During Frieze Los Angeles and Felix Art Fair, March 1, 2024

All Good: A Critical Examination of the Visual Arts in The Age of Stagnation All Good: A Critical Examination of the Visual Arts in The Age of Stagnation by LG Williams

‘It’s Better To Be Mediocre #2’ Appears in UCLA’s ‘Daily Bruin’
Online Exhibition & Book Launch
February 28, 2024 *

‘It’s Better To Be Mediocre #2’ explores the remarkable contributions of key artists thriving within what New York Times art critic Jason Farago terms “the least innovative century for the arts in 500 years.” This latest installment identifies and celebrates more of those who have defined and benefited most from this mediocre and banal era in the contemporary visual arts.

> >  Featuring a Diverse Array of Artists!

> >  Celebrity Participants Reading Dave Hickey’s ‘Stupid Money’

> >  DJ playlists featuring Terry Allen & The Panhandle Mystery Band

> >  LG Williams, All Good: A Critical Examination of the Visual Arts in The Age of Stagnation.  Los Angeles: PCP Press, 2024, 370 pages, Full-Color Paperback.
Available on Amazon.(Link)

* During Frieze Los Angeles and Felix Art Fair, March 1, 2024

Learn About ‘It’s Better To Be Mediocre #1’ (Link)

In Association with ERIK DAVID GALLERY | Beverly Hills