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Shibuhouse | TANA | unit.maker | Telephonebooth | LG Williams | Tokyo Weekender Magazine, February 25, 2010

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This entry was posted in Art History | Criticism, Blog, Tokyo Weekender Magazine and tagged 303 Gallery, Andy Kaufman, Art, Art Basel, Art Criticism, Art History, Art Instruction, artfair, Artforum, Avant- Garde, Banksy Punked, Baron Osuna, Beavis and Butthead, Bosoms and Bottoms, Bruce Nauman, Chris Burden, Coagula Art Magazine, Contemporary Art, Dada, Dale Eldred, Dave Hickey, Dave Hollowell, Dia Art Foundation, Drawing Upon Art, Father Guido Sarducci, Fluxus, Frieze Art Fair, FUCKTHATGALLERY, Funk Art, Gagosian Gallery, Gardner's Art Through The Ages, Honolulu Weekly, House Where The Bottom Fell Out, Hunter S. Thompson, John Arthur Jack Johnson, John Belushi, LG Williams, lgofbeverlyhills, Lisa Spellman, Liste Art Fair, Literary Criticism, Los Angeles Art, Mahabharata, Mara McCarthy, MOMA, Museum of Modern Art, Obey Punked, Paul McCarthy, PCP Press, Perfect Corner Press, Poetry, Radiohead, Super Window Project, Tana Bookshelf Gallery, Telephonebooth Gallery, The Anonymous Auto Requiem Collective, The Big Lebowski, The Container, Theory of Art, Thomas Paine, Tokyo Weekender Magazine, UACAWSACCADB.com, Ubu, Wally Hedrick, Whitechapel Gallery, Whitney Museum, www.lgwilliams.com, Yves Klein on March 2, 2011 by lgwilliams.

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← TOKYO ART BEAT NEWS DIGEST
FEATURES THE CONTAINER: FEBRUARY 2011 SUPER WINDOW PROJECT / LG WILLIAMS
@ ART COLOGNE HALL 11.3 BOOTH A29 →

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LG Williams eBooks @ Amazon.com
2005 Prix Marcel Duchamp
Bad Art Good Sex™
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FYI

Banker’s Guide to Art
Art’s Dirty, Big Secret
Rogues’ Gallery
Most Modern Art Is Rubbish
Together At The Hip
Last Unregulated Business

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