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Shibuhouse | TANA | unit.maker | Telephonebooth | LG Williams | Tokyo Weekender Magazine, February 25, 2010

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This entry was posted in Art History | Criticism, Blog, Tokyo Weekender Magazine and tagged 303 Gallery, Andy Kaufman, Art, Art Basel, Art Criticism, Art History, Art Instruction, artfair, Artforum, Avant- Garde, Banksy Punked, Baron Osuna, Beavis and Butthead, Bosoms and Bottoms, Bruce Nauman, Chris Burden, Coagula Art Magazine, Contemporary Art, Dada, Dale Eldred, Dave Hickey, Dave Hollowell, Dia Art Foundation, Drawing Upon Art, Father Guido Sarducci, Fluxus, Frieze Art Fair, FUCKTHATGALLERY, Funk Art, Gagosian Gallery, Gardner's Art Through The Ages, Honolulu Weekly, House Where The Bottom Fell Out, Hunter S. Thompson, John Arthur Jack Johnson, John Belushi, LG Williams, lgofbeverlyhills, Lisa Spellman, Liste Art Fair, Literary Criticism, Los Angeles Art, Mahabharata, Mara McCarthy, MOMA, Museum of Modern Art, Obey Punked, Paul McCarthy, PCP Press, Perfect Corner Press, Poetry, Radiohead, Super Window Project, Tana Bookshelf Gallery, Telephonebooth Gallery, The Anonymous Auto Requiem Collective, The Big Lebowski, The Container, Theory of Art, Thomas Paine, Tokyo Weekender Magazine, UACAWSACCADB.com, Ubu, Wally Hedrick, Whitechapel Gallery, Whitney Museum, www.lgwilliams.com, Yves Klein on March 2, 2011 by lgwilliams.

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← TOKYO ART BEAT NEWS DIGEST
FEATURES THE CONTAINER: FEBRUARY 2011 SUPER WINDOW PROJECT / LG WILLIAMS
@ ART COLOGNE HALL 11.3 BOOTH A29 →

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HIGHLIGHTS

LINKS

LG Williams eBooks @ Amazon.com
2005 Prix Marcel Duchamp
Bad Art Good Sex™
Banksy Punked
Bosoms And Bottoms
D(D).DDDD University
Drawing Upon Art
For Sale By Artist
FUCKTHATGALLERY
Fuga Los Angeles
lgofbeverlyhills
lgartworld (1990’s website)
Obama Hope Scam
PCP Press
Philosophy Of Obey
Rank Art Facts™
Social Networking Farm™
Super Window Project
UACAWSACCADB

FYI

Art’s Dirty, Big Secret
Banker’s Guide to Art
Last Unregulated Business
Most Modern Art Is Rubbish
Rogues’ Gallery
Stupid Money (Hickey)
Together At The Hip
Why Culture’s At A Standstill
Why So Few Masterpieces (Judd)

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